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Kalamazoo Gazette - Kalamazoo, MI
Aug, 2005
Northern Express - Traverse City, MI
Mar, 2005
Performing Songwriter - Nashville, TN
Jan-Feb, 2005
Detroit Free Press - Detroit, MI
Jan 29, 2005
The Lansing State Journal - Lansing, MI
July 22, 2004
The City Pulse - Lansing, MI
May 19, 2004
The State News - East Lansing, MI
April 21, 2004
All Songs Considered - National Public Radio
November 18, 2003
The Ann Arbor Observer - Ann Arbor, MI
September 03, 2003
Relix Magazine - New York, NY
July, 2003
Performing Songwriter Magazine - Nashville, TN
June, 2003
The Valley Scene - Appleton, WI March, 2003



Old Settlers Festival - Austin, TX
The Lyric Theater - Harrison, AR
Mountain Stage - Charleston, WV
Telluride Bluegrass Festival - Telluride, CO
Big Top Chautauqua - Washburn, WV
Magnolia Festival - Bean Blossom, IN
New Song Festival - Charles Town, WV
The Woody Guthrie Folk Festival - Okemah, OK
The Woodsongs Old Time Radio Hour - Lexington, KY
The Wheatland Music Fest - Remus, MI
The Blue Ridge BBQ Festival - Tryon, NC
The Bele Chere Festival - Asheville, NC
The Hiawatha Music Festival - Marquette, MI
The Purple Fiddle - Thomas, WV
The Ark - Ann Arbor, MI
The Old Town School Of Folk Music - Chicago, IL
The Calumet Theatre - Calumet, MI
Uncle Calvins - Dallas, TX
Cuyahoga Valley Nat. Park Concert Series - Brecksville, OH
Mid Columbia Folklore Society - Hood River, OR
Club Fez - NYC, NY
The Detour - NYC, NY
Gopherwood Concerts - Cadillac, MI
Gunnison Center For the Arts – Gunnison, CO
The Festival of Traditional Arts – Quebec City, Quebec
Interlochen Arts Festival – Interlochen, MI
The Creole Gallery – Lansing, MI
The Mill - Iowa City, IA
WXPR Concert Series - Rhinelander, WI
Swallow Hill - Denver, CO
Bliss Festival - Cross Village, MI
Ann Arbor Folk Festival- Ann Arbor, MI




" makes a triumphant stride forward on their sophomore release, reaching even deeper into their influences to showcase a sound that us at once both traditional and innovative. A band with this much collective talent will not remain unknown for long…"


"I caught and the place was packed. We're talking groupies here, serious ones, who respond (one might assume) to a rather palpable sexiness at play here. These shiny-tressed young gents are seriously adorable. People crowd the dance floor at shows. Anyone who's worried about the future of traditional/roots music and its place in a society that watches shows like American Idol can rest assured: things are in very good hands."


" is one of those rare iconoclastic bands which seem to defy all conventional wisdom in that they manage to pack a dance floor with an up dated form of old-time string music."


"This versatile quartet from Lansing could very well be the breakout band everyone talks about after this year's fest. Playing western swing, folk, blues, bluegrass and more with tremendous style, all are knockout musicians who are as comfortable playing Dizzy Gillespie's "A Night in Tunisia" as Woody Guthrie's "Pastures of Plenty."


"The mixture of fun and seriousness is something plenty of bands could learn from"


"This album, their second, captures their energy and the breadth of their versatility, and makes us wonder where this hybrid of covers, genre salutes and originals will take them."


"Young and old filled the dance floor during an infectious mix of folk, calypso, bluegrass, cajun and blues."


" offer a great deal of variety on Last Winter and that is the beauty of the recording. It features strong original tunes performed well with a program that offers a great deal of variety. Music to ward off the cold."


"This excellent roots oriented Michigan quartet has become a staple of folk societies and festivals, and their acoustic renditions of bluegrass, old-timey country, blues, cajun dance tunes and Texas swing are chock full of poignant work on dobro, harmonica, guitar and fiddle. Their energy level never lacks."


"Combining originals and traditionals, old-time music with zydeco and blues, Michigan’s play some of the liveliest and most rocking acoustic roots music around. On their second release, Last Winter in the Copper Country, they balance hillbilly, Cajun, European folk and blues music with stunning and sensitive musicianship."


"The flurry of old-timey sounds makes Last Winter In The Copper Country a fun ride for dabblers, with bits of folk, lots of bluegrass, and mildly utilized chunks of cajun and calypso all stirred together."


"We've been hearing tales recently about a Lansing, Michigan based folk-rockin', sweet jazz, bluegrass, old-time swingin' quartet with some serious buzz. We took one listen and were hooked, as you will be when you hear
at work. In the Words of Sally Van Meter, producer of their latest release - Hidden In The Lowlands they are 'what would happen if Hank Williams joined forces with Wayne The Train Hancock and a folk band featuring Tom Waits'. Intrigued yet? Well, you will be...they accomplish the seemingly impossible task of making the most traditional sounds contemporary, blending hillbilly rackets with blues rhythms and European folk. It's like subtle musical alchemy. They may claim to just be steppin' in it, but we think they're knee deep in the future of bluegrass."


"Looking for a soundtrack for rural America? provides one. The lyrics paint sobering pictures of shutdown factories on rundown streets, but the music never sags, capturing the spirit of hope and better times to come. There’ll be a tear in your eye, but your foot’ll be tapping."